On the last night, they asked us all to stand and sing "God Save the King" just as it had been sung 75 years ago when the Hollywood opened. And a full house of all ages stood and sang heartily. It was the least we could do. The actor MC'ing the event sang, "Smile". We'd need that over the next couple of hours as we watched the film chosen for the final show, "Cinema Paradiso", that deeply sentimental, melancholy Italian tale of the glory days of a local movie house and the changing world that brought them to an end. The changing world that has brought one of Vancouver's last local theatres to an end, is one of high rise condominiums, rising rents, a city in search of 'densifying' in order to squeeze more taxes our of the populace, and a public that is choosing to watch its movies at home.
The Hollywood sits or sat on the most villagey end of Broadway. Tall, shady trees stand higher than most of the businesses up at this far west end of this main city artery. There is something of the true far west in the eccentric single storey shops and restaurants here: Kids Books, Artigiano, East is East, Baguette & Co, a few Chinese greengrocers, Calhoun's, Parthenon, Olympic, Ace Cycles, Used Book store. And in the middle of them all stood our very own Cinema Paradiso, our Last Picture Show. It had one of those Art Deco columns and the "stripes" , the paint was peeling but the glowing red and blue neon was still beautiful, particularly in the small cursive sign over the marquee that read "Pick o' the Plays".
Rumour has it that soon Broadway's bucolic, tree-lined, single storey world will disappear. Some whisper that the city plans to run a sky train along the middle, others say that the whole block will be torn down to be replaced by condos - most likely in the 'grey and glass' style so prized by local architects and probably, poignantly called, "The Hollywood."
I'd heard the rumours but didn't think it would come so soon. Like all human beings, I like to believe that my sources of pleasure and comfort will go on forever - even small, slightly shabby pleasures like sitting in the Hollywood in Vancouver-damp clothes on a Monday night, wondering whether I should have paid an extra 50 cents and got real butter on my popcorn. And wondering whether I'd have the stamina to sit through the double bill and only managing it once.
An architect friend of mine was also a regular. When I discussed the closing with him, he said, "Well, I'd love to say come along to the last show with me but frankly that's something I want to do on my own. I want to sit in my usual seat, eat my usual popcorn and just say a quiet goodbye to the old place alone."
Movies are, after all, a very solitary experience that we share with others. So he went on his night and I went on mine. And we said goodbye to the kitschy mini-chandelier in the tiny foyer, to the box office that looks out on the street with its fading postcards of French New Wave movies - Brigitte Bardot in "Le Mepris". And to Alice the 92 year old grandmother who has sat in that box-office for so many years, selling those tiny little pink and blue paper tickets that have been demoted to cloakrooms and raffles in the rest of the world.
And good bye to the big clock to the left of the screen. I could always gauge the power of a movie by the number of times I looked at that clock. During "Lost in Translation", halfway through the film I concluded that the clock might actually be more entertaining.
I've commented on this before but North American culture is not fond of farewells. Sadness does not sit well with a people programmed for positivity, for new starts and looking towards the future. But surely, feeling the loss of something or someone is part of being human. This insistence on being perky and upbeat at all times and at any cost diminishes us as people. And so at the Hollywood last night, we called on the Sicilians to help us grieve our very real loss. You could hear the sobs and the rummaging for extra Kleenex as the Italians gathered in their piazza to watch their Paradiso be demolished.