I've been keeping track of the comings and goings in this city for almost a decade now.
My neighborhood of Kitsilano has seen some of the most dramatic changes. I'll list some of the more interesting newcomers in an accompanying post but first on a sadder note, it's time to say a fond farewell to Duthie's and note the demise of one of the most delightful blocks in the city: 4th Avenue between Yew and Vine.
For years this hundred or so yards contained great music in the form of The Magic Flute - a store that was worth a visit for the magnificent pan-piper door-handles alone, Duthie's books, fine wines at the Kitsilano wine shop, good local food at Capers, and in the Coast Mountain adventure store, a reminder that this young, brazen city of Vancouver is only a very recent and temporary guest in some of the wildest, most majestic mountain and ocean landscape on earth.
Great music, great food, great wine, great books and great landscapes - the block once had everything necessary to feed the soul.
The Magic Flute was first to go - brilliant and dynamic local entrepreneur and owner David Lemon foresaw the collapse of the music business a few years before it happened and sold the shop. It limped on for a while but the CD business was being killed by the internet and soon music was gone.
Next out was great local food in the form of Capers. Yes, the store is still there - it's name is still on the awning but Texas-based Whole Foods bought it out and any recent shopper will see that the old, cosy store with its more cramped aisles and higgledy-piggledy lay-out has given way to a more spacious, generic supermarket-style design. Sometimes, when I am tired or distracted, I can mistake the displays for similar ones in Whole Foods on Kensington High Street back in London. So much for a neighborhood store.
The Coast Mountain store went next. You can stand right next to where it used to stand at the top of Yew and 4th and gaze out at the snow-capped summits and the Pacific Ocean but the store with its tents, sleeping bags, hiking boots, and all the rest of the paraphernalia that allows man to approach those mountains has gone.
And then, one of the saddest farewells of all, took place when Duthie's books closed in February of this year. From being a vibrant local chain to this one surviving store, Duthie's decline had been obvious. But I'd hoped against hope that they would survive. Books, we are being told on an almost daily basis, are going the way of the CD in this internet age. Duthie's held on until their knuckles were white. Then they fell and died.
Now the wine store remains but the rest of the block has gone from a nourishing place for the soul to purveying mass-produced clothes for our bodies and trinkets for our homes. Twas, perhaps, ever thus in Vancouver - the cult of the body takes precedence over the life of the mind. But for a few wonderful years, on a fine autumn day when the leaves on the trees that line 4th Avenue turned scarlet and the air took on that golden September tinge, you could walk just a few dozen yards and find the latest Douglas Coupland or the new Hilary Mantel, a fine bottle of Barolo or a home-baked raspberry and rhubarb tart, a tent to shelter you from the Pacific Northwest rains, boots to climb those snow-capped summits and some Beethoven to give you the courage and energy to set out. Everything in fact that a happy human being might want.
Janette Griffiths is an award winning travel writer, novelist and broadcaster. She divides her time between Vancouver, London and Paris. Here she posts on Canadian travel, literature and movies. From bear-watching, to heli-fishing, to a Canadian movie masterpiece and fabulous BC wines, it's all there in the blog archive.
Showing posts with label Beethoven. Show all posts
Showing posts with label Beethoven. Show all posts
Requiem for Radio 2
Radio 2's long goodbye lasted all day yesterday. To be precise it lasted until 6pm. Everyone I know turns off that excruciating Katie Malloch and her insulting habit of telling me how I feel and what I'm doing: "You're driving home from work and you feel the need for...etc banal, mundane etc". At this point I have long since told the tedious creature to "STFU" and from 6pm onwards the radio was switched off. But Tom Allen felt like a friend and to listen to him mouthing the party line as he wound down "Music and Company" was sad and wrenching. No, many, many of us won't be coming with you Tom, not to listen to music that I can hear in the shopping mall or the supermarket. Tom, the former trombonist, taught me a lot of what I now know about classical music. Thanks to him, I can take that knowledge off to the internet and listen to BBC Radio 3. But it's not the same.
In his movie, "Radio Days" Woody Allen evoked the magic of a population linked by sound, by the voices coming out of the box in the corner. Of course those days are long gone but CBC's Radio 2 managed to continue the tradition. True it united people who love Beethoven, Bach, Brahms etc but what fascinated me when I first arrived in Canada seven years ago and discovered the then wonderful station, was just who these people were. The farmer on a Sasketchewan prairie who requested the Goldberg Variations,
the sculptor in a studio on a lake in Ontario who called, as so many of these cold country Canadians did for Sibelius, and the truck driver on the Trans-Canada who needed some roaring Beethoven to fill him with the energy to cross that vast, dark, transcontinental night.
Ah, but the apologists for the dog's breakfast that will be the new Radio 2, insist that they will provide the same service. Right - by giving us a mish-mash of music that can be found on commercial stations everywhere. Anyone who has ever been on a cruise knows that smorgasbords get very boring very fast. The sight of taramasalata, bean salad, smoked turkey, lasagne, chicken tandoori and ribs may look alluring on the buffet but once you've got that heaving mass on your plate it becomes strangely unappetizing.
And, throughout this whole miserable episode, nobody, with the noble exception of Russell Smith at The Globe and Mail, has dared to say that what we call Classical Music , for want of a better word, is superior to a lot of contemporary music. Something happened in the late 18th and 19th centuries that carried this art form to a summit. I'm not saying that there is only one mountain out there and another summit may well be reached at another time. But the vast mass of pop, rock etc has not got half way up the nursery slopes.
Yesterday, during one of the sad farewells ( was it Eric Friessen on Studio Sparks?) somebody played the Schubert String Quintet in C Major. I first heard this on BBC's Desert Island Discs when novelist Stan Barstow described it as music he would like to die to. It contains within it, a sense of the infinite and the eternal. And, unlike the four beat in a bar commercial pap that I am now being told I must love, never, EVER becomes an earworm - one of those infuriatingly banal tunes that get inside your head and make you want to rip it open and tear the thing out.
So CBC Radio 2 played the great Schubert piece and died before our very eyes. Goodbye Tom, goodbye Shelley (for we all know that Here's to You really died last year when the great Ms Solmes took her leave) goodbye to Jurgen and goodbye to the often too pious and smarmy Eric Friessen. (But Eric, you redeemed yourself in spades this week - the Brahms, William Styron reading was heartwrenchingly beautiful.)
Yesterday felt like a day-long requiem. I know I am not the only one who feels bereaved on this late-summer Saturday morning. Something noble and beautiful that linked this vast land is gone forever and the land is duller and darker without it.
In his movie, "Radio Days" Woody Allen evoked the magic of a population linked by sound, by the voices coming out of the box in the corner. Of course those days are long gone but CBC's Radio 2 managed to continue the tradition. True it united people who love Beethoven, Bach, Brahms etc but what fascinated me when I first arrived in Canada seven years ago and discovered the then wonderful station, was just who these people were. The farmer on a Sasketchewan prairie who requested the Goldberg Variations,
the sculptor in a studio on a lake in Ontario who called, as so many of these cold country Canadians did for Sibelius, and the truck driver on the Trans-Canada who needed some roaring Beethoven to fill him with the energy to cross that vast, dark, transcontinental night.
Ah, but the apologists for the dog's breakfast that will be the new Radio 2, insist that they will provide the same service. Right - by giving us a mish-mash of music that can be found on commercial stations everywhere. Anyone who has ever been on a cruise knows that smorgasbords get very boring very fast. The sight of taramasalata, bean salad, smoked turkey, lasagne, chicken tandoori and ribs may look alluring on the buffet but once you've got that heaving mass on your plate it becomes strangely unappetizing.
And, throughout this whole miserable episode, nobody, with the noble exception of Russell Smith at The Globe and Mail, has dared to say that what we call Classical Music , for want of a better word, is superior to a lot of contemporary music. Something happened in the late 18th and 19th centuries that carried this art form to a summit. I'm not saying that there is only one mountain out there and another summit may well be reached at another time. But the vast mass of pop, rock etc has not got half way up the nursery slopes.
Yesterday, during one of the sad farewells ( was it Eric Friessen on Studio Sparks?) somebody played the Schubert String Quintet in C Major. I first heard this on BBC's Desert Island Discs when novelist Stan Barstow described it as music he would like to die to. It contains within it, a sense of the infinite and the eternal. And, unlike the four beat in a bar commercial pap that I am now being told I must love, never, EVER becomes an earworm - one of those infuriatingly banal tunes that get inside your head and make you want to rip it open and tear the thing out.
So CBC Radio 2 played the great Schubert piece and died before our very eyes. Goodbye Tom, goodbye Shelley (for we all know that Here's to You really died last year when the great Ms Solmes took her leave) goodbye to Jurgen and goodbye to the often too pious and smarmy Eric Friessen. (But Eric, you redeemed yourself in spades this week - the Brahms, William Styron reading was heartwrenchingly beautiful.)
Yesterday felt like a day-long requiem. I know I am not the only one who feels bereaved on this late-summer Saturday morning. Something noble and beautiful that linked this vast land is gone forever and the land is duller and darker without it.
Labels:
Beethoven,
CBC Radio 2,
Russell Smith,
Schubert,
Sibelius,
Tom Allen
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